These issues are far from dealbreakers. We’ll always tell you what we find. Announced in June 2018, the RX100 VI is yet another iteration of Sony’s RX100 series of pocketable high-end compact cameras. Sony. I also agree with all negatives. A part of this unavoidable as there are inherent tradeoffs to making such a tiny camera body. The RX100 VI’s physical design is both hugely impressive and a little frustrating. Yes, there is a tiny rubberized thumb rest, but the otherwise smooth surface makes it difficult to keep a firm hold on the camera. But to get anything close to this in real-world use you’ll probably need to configure much more aggressive power-management settings than Sony’s defaults, and obsessively power the camera off after shooting. From ISO 640-1600, there is a noticeable drop off in quality with noise becoming more prominent and images lose quite a bit of the dynamic range that they have at lower values. Additionally, the small body size means that there isn’t a whole lot of real estate for your fingers to grasp onto at the front of the camera. Like other Sony cameras, the RX100 VI features the useful FN button which enables you to access twelve customizable tabs. If you're using an ad-blocker you might miss out on seeing the deals. I don’t find it difficult to adjust aperature/shutter/ISO once you get used to the smaller controls. While the focusing system is identical to its predecessor, there are a couple of notable additions. You spend too much time comparing the camera to large sensor Mirrorless cameras and DSLRs. The camera now has a touchscreen LCD which allows you to control the position of the focus point with a simple tap of the screen. Its pop-up electronic viewfinder (EVF) is larger than the TZ200’s corner-mounted number. Both the flash and viewfinder pop up from the top plate, released by mechanical switches; it’s astonishing Sony has managed to fit them in. It was strained in relatively … It also has a slight colour cast in the highlights, which is particularly visible when playing back black-and-white images. In the middle of the zoom range the lens is simply stunning, giving excellent sharpness from corner to corner. Sony has started to incorporate touchscreen functionality in their more recent mirrorless cameras, and it’s great to see the RX100 series finally catching up. These are standard sockets so that you can use standard cables. Sony redesigned the camera's sensor so it polls its autofocus points more frequently, and covered it from nearly edge to edge with … Unfortunately, pushing it down again turns the camera off, which is irritating given that you probably just wanted to use the screen instead. For a point-and-shoot camera, the RX100VI offers quite a lot of customization options, but quite a few design flaws, unfortunately, limit it. This makes the … The display also folds down by as much as 90 degrees, which makes it much easier to frame when shooting straight down. If you don’t want to bother with the size and complexity of DSLR/Mirrorless camera system and can live with the relatively high price, the RX100 VI is an excellent option for those looking for a highly capable bridge camera in a pocket-sized package. Sony has re-used the same AF system that we’ve seen before on both the short-zoom RX100 V and the RX10 IV bridge camera. This is still a lot shorter than the 24-360mm of the slightly larger, Aside from the lens, Sony has recycled pretty much exactly the same design as the, Both the flash and viewfinder pop up from the top plate, released by mechanical switches; it’s astonishing Sony has managed to fit them in. Wi-Fi is of course built in, along with both NFC to quickly set up a connection with compatible Android devices. Inside the two small flaps on the right side of the body, you’ll find two physical ports: one for Micro HDMI and another for Micro USB. These can be reconfigured to offer different functions for stills shooting, video shooting, and playback modes. On the RX100 V, that meant increasing the burst rate to 24fps and adding advanced focus features. Another useful innovation is that when you are finished shooting, you can simply press the EVF back into the camera, which will automatically turn the camera off and retract the lens. At a staggering £1150, it’s £300 more than the TZ200, which we already considered very expensive for this kind of camera, and over twice the price of the TZ100. The RX100 VI shares the same excellent sensor and processor combination as the RX100 V and the RX10 IV. Sony RX100 VI 20.1 MP Premium Compact Digital Camera w/ 1-inch sensor, 24-200mm ZEISS zoom lens and pop-up OLED EVF (DSCRX100M6/B) 24-200mm F2.8-F4.5 ZEISS Vario-Sonnar T lens World's … Sony has recently started employing touch-sensitivity on the LCD screens of their cameras and the RX100 VI now also offers this functionality. Strangely enough, Sony has chosen to limit continuous 4K recording to just five-minute clips whereas Full HD recording goes all the way up to 29 minutes and 59 seconds. Since size is often what determines whether someone brings a camera with them or simply uses their phone, it’s worth pointing out that the RX100 is shorter than a Samsung Galaxy S9 — although, it’s a lot thicker. This point-and-shoot is small and lightweight, and it packs an impressive zoom. In such scenarios, the f/4.5 max aperture of the longer end of the focal range proved inefficient at capturing enough light to sustain a robust focusing performance. That doesn’t mean you can’t use higher values as the image below illustrates. The grip adds nothing to the camera’s size, so should be built-in from the start, or at least included in the box. I also faced slower focusing speeds when making images in such scenarios. If you would like to take away control from the camera and to choose which button changes which function you run into a problem. By checking this box I consent to the use of my information, as detailed in the Privacy Policy. The RX100 VI does, though, finally give anyone looking for a pocketable, high-quality, long-zoom compact an alternative to the Lumix series. Eye AF is one of the most impressive autofocus features found on Sony cameras, and it makes getting perfectly focused portraits a cinch. Before we discuss camera features, let’s do a quick revision of all the feature changes we have seen in the RX100 series of cameras. Like its predecessors, the RX100 VI is at times a tricky thing to use too. Quite astonishing is the fact that Sony managed to squeeze the new lens into a body that is only 1.8mm thicker than the Mark V. Naturally, there are some tradeoffs as a result, and the aperture range of the new lens is a noticeably slower f/2.8-4.5 compared to the f/1.8-2.8 of the Mark V’s 24-70mm lens. The RX100 series is very popular among videographers and vloggers, so it’s no surprise that the RX100 VI comes packed with video-centric features. Unfortunately, continuous 4K recording is limited to just five-minute clips whereas Full HD recording goes all the way up to 29 minutes and 59 seconds. I am also not a big fan of Sony’s placement of the C Custom Button on the bottom right rear of the camera. Customization is also very limited compared to Sony’s mirrorless camera bodies which can prove frustrating for a more advanced user. Not only is it not customizable but its location implies that using it you must grip the camera with your left hand so that there’s enough support. Like all compact cameras, the lens-shutter design is extremely quiet in operation. You can tap to reposition the AF area, tap to pull-focus in movies, or double-tap an image in playback to enlarge. The Sony RX100 VI is a spectacularly capable travel camera, combining a flexible zoom range with impressive autofocus. Review Sony RX100 VI. In a pleasant surprise, the camera maintains the f/4 aperture all the way from the 40mm until the 109mm setting. The VI’s gained a bit of depth over its predecessor, but it still easily fits into the side pocket of most jeans. The last few years haven’t been kind on point-and-shoot cameras with smartphone cameras now the tool of choice for most casual photographic situations. Aside from the lens, Sony has recycled pretty much exactly the same design as the RX100 V. This is a mixed blessing. Review: Sony RX 100 VI. Successor to the RX100 V, it shares the same 20 Megapixel 1in sensor with confident phase-detect autofocus for stills and movies, 4k video, 24fps shooting with autofocus, and a wealth of slow motion video … The small size comes at the cost of not having a grip. Unlike other sites, we thoroughly test every product we review. There is also a range of slow-motion video recording options. Owners of previous models will be familiar with the layout and controls of the RX100 VI. Sony RX100 VI Real World Review vs Sony RX100 V (Camera Review) This video is brought to you by Squarespace. Sony claims the RX100 VI’s hybrid autofocus system brings the world’s fastest AF for a 1in sensor camera of just 0.03sec. This seems like a restriction intended to keep the camera from overheating, but it’s an unfortunate choice given that vloggers constitute a significant target audience. I often found myself having to go up to ISO values higher than 1600 during my time with the camera and the image quality at these settings is often quite poor in comparison to what I am used too from DSLR and Mirrorless offerings. With all the processing power it has on board, you’d expect the RX100 VI to be an exceptionally snappy performer, and in most respects it delivers. This would have been less of a problem if the camera body was textured but the smooth metal finish makes it very hard to have a reassuring hold. The small NB-BX1 battery is rated for 220 to 240 shots per charge, depending on whether you use the LCD or viewfinder. The zoom collar is smooth and effective, but I would have preferred a Slow setting for the Zoom Speed as I found that it could be a bit too quick at times (there is only a Normal and Fast speed under the Zoom Speed setting in the menu). Akin to its predecessor, the outer metal chassis is relatively thin and susceptible to impacts. In my side-by-side comparisons, the RX100 VI’s lens is so much sharper at 200mm and f/4.5 than the TZ200’s at 360mm and f/6.3 that in good light, you can get almost the same level of detail from both cameras when shooting distant subjects. The camera features the same popup XGA OLED electronic viewfinder of the Mark V, and it now functions via a single-action mechanism which allows you to pop it in and out with ease. This all makes the lack of any provision for an external microphone for high-quality sound slightly perplexing. It’s just a shame Sony can’t make the camera weather-sealed like the Canon G1 X Mark III. The deep feature set makes it even more frustrating that the ergonomics are so relatively poor. Compared to its predecessor, the RX100 VI struggles in low light environments and is camera best suited for daylight photography. The viewfinder’s pop-up design means that there is no way to attach an eyecup to prevent internal reflections. For videographers and vloggers, the RX100 VI offers a robust set of video features, including 4K recording with full pixel readout (no pixel binning) at up to 30 fps. The RX100 VI should give greater background blur than the RX100 V, along with more flattering perspective, if you can take a step or two back from your subject and zoom to 100mm or longer. The slowdown is mostly due to very long buffer clearing times experienced when shooting with even the fastest UHS-I type cards. You still have to prepare all the image settin… The real question is if the RX100 VI’s small size, versatility, and an all-in-one package can carve out enough of a niche to make it a worthwhile purchase. Post author: Erik Derycke Post published: 25 November 2020 That gives the Mark VI noticeably greater reach than the 24-70mm equivalent lens of its predecessor. Offering longer reach and improved performance, the Cyber-shot DSC-RX100 VI from Sony is a pocket-sized powerhouse characterized by an impressive lineup of stills and video capabilities. There’s no doubt that the Sony RX100 VI is an astounding technological feat. Beyond negatively impacting your focus, the relatively dim aperture also necessitates you to use high ISO values that significantly diminish the overall image quality of the otherwise excellent sensor. This is especially true at the longer end of the zoom range where the max aperture is just f/4.5. At this price point, one could buy a mirrorless or DSLR camera with a larger APS-C sensor and a lens or two, which places the RX100 VI in the awkward spot of having to compete with cameras with much larger sensors and more versatile ecosystems. 1. Successive generations have introduced new features to maintain its lead, with the adoption of a tilting screen in the RX100 II, a pop-up viewfinder and large-aperture zoom in the RX100 III, 4K video in the RX100 IV and high-speed shooting on the RX100 V. All of those models remain on sale, which makes sense as the new RX100 VI is a different beast. 24 fps continuous shooting with full continuous AF 4. The RX100 VII is compatible with Ikelite and Fantasea RX100 VI … The screen’s main failing is that it’s not especially bright, so unlike the TZ200’s it’s not very usable in direct sunlight. The extreme corners are not great, especially on the long end, but they are good enough for most applications. Thankfully, Sony has included a host of other features like S-log3 and S-log2 gamma curves, HDR movie recording, exposure zebras, clean HDMI output and Gamma Display Assist. It’s just a shame Sony can’t make the camera weather-sealed like the, That smooth body has its drawbacks, though: as usual for an RX100, it has all the assured handling of a bar of soap. This all makes the lack of any provision for an external microphone for high-quality sound slightly perplexing. When it comes to video, the RX100 VII has a lot to offer, including 4K video recording at 30 FPS, at a maximum of 100MB/s/ The overall video quality is outstanding and does well with high-contrast (HDR) scenes as well. This is still a lot shorter than the 24-360mm of the slightly larger TZ200, and the RX100 VI is significantly more expensive. The RX100 VI is noticeably smaller than its main rival, the Panasonic TZ200 The other catch is the price. I'd get mine at Adorama or at B&H. This results in a truly phenomenal continuous shooting rate of 24 frames per second at full resolution, with a 233-shot JPEG buffer, while continuously adjusting focus and exposure between frames. The button layout is also inadequate compares poorly to Sony’s own mirrorless camera bodies. zoom lens 3. The RX100 VI can also be somewhat fiddly to use. , are built around a Bionz X processor with front-end LSI, and you’ll find the same combination inside the RX100 VI (albeit in scaled-down form). Oh, and it takes really good pictures. I was extremely impressed by it on the latter, and it continues to work in much the same vein on the RX100 VI. Under dim lighting or low contrast conditions, focus performance takes quite a big hit, and I noticed quite a lot of hunting in such situations. This can prove a problem when using the EVF when the sun is high up in the sky and in such situations, you may need to use your off-hand to cover the viewfinder and prevent stray light from coming in. Sony’s latest addition to the RX100 line adds a 24mm-200mm lens, quick auto focus, and a single action EVF. This change has created some distinct drawbacks with the camera now much less capable in low light environments, but for those that need a faster aperture lens, the Mark V remains an option. That smooth body has its drawbacks, though: as usual for an RX100, it has all the assured handling of a bar of soap. These trade-offs certainly limit the RX100 VI’s performance as low light, video-centric camera, but the additional focal range also means that the new model is much better suited for travel and day-to-day photography than any of its predecessors. However, there is a tradeoff as the new lens’s maximum aperture settings of f/2.8-4.5 are a lot narrower than the f/1.8-2.8 range on the 24-70mm lens of the Mark V. This not only means that you’ll be losing the shallow depth of field capabilities of previous RX100 offerings, but it also means noisier images and videos in low-light settings. At least Sony has now added a touchscreen, meaning it’s finally possible to select the focus point quickly when you’re shooting with either the screen or the viewfinder. We may earn a commission if you click a deal and buy an item. One feature missing for those interested in vlogging is a dedicated microphone input, and there’s no way to connect one wirelessly. Despite the new lens, the RX100 VI is the same width and height as the Mark V and only 1.8mm thicker which results in a camera that is ideally suited to a wide range of photographic applications while remaining genuinely pocketable. At the very least you’ll need a wrist strap to save the camera when it inevitably slips from your grasp, and I’d strongly advise adding the stick-on, Still, the RX100 VI is about as feature packed as compact cameras come – it’s essentially a pocket-sized Sony Alpha. But it’s ridiculous that you need a £14 accessory just to be able to hold the thing securely. 3-inch rear touchscreen LCD 6. In fact, if you turn off the various operational beeps and fake shutter sounds and engage the electronic shutter, the camera is completely silent. Sony RX100 VII Compared with RX100 VI. But it’s relatively clunky and unintuitive and is now looking rather dated. As a whole, the Sony RX100 VII only has a few key differences from the RX100 VI. Sony does not always takes a step forward…. As it stands, Sony hasn’t yet come up with a way to deliver both a long focal length and a really wide aperture. Low-light shooters would probably still do better to stick to the, As usual from Sony, the RX100 VI has an impressive video specification. The RX100 VI features a popup viewfinder in the top left corner which houses an XGA OLED 2,359K dot panel with 0.59 magnification. Where things get genuinely frustrating is when shooting in either Aperture-Priority or Shutter-Priority. With its large 20.1-megapixel stacked 1-inch imaging sensor, the RX100 VI captures more detailed images and video than any smartphone. I find myself loving this camera all day and being frustrated by it all night. The Sony RX100 VII is the company's latest pocketable 1" sensor compact. On account of this and the lack of weather sealing the RX100 VI should be handled with care. The biggest change to the Sony Cyber-shot RX100 VI is the new 24-200mm lens, which extends the zoom range from 70mm on the previous model to a whopping 200mm. Just how many photographers will need this capability on a pocket compact is a different question. Most notable is the need for a much higher ISO to attain a similar shutter speed, and I consistently found myself using ISO values that were beyond ideal when shooting street scenes at dawn and dusk or when taking images indoors. Still, the RX100 VI is about as feature packed as compact cameras come – it’s essentially a pocket-sized Sony Alpha. Learn More. The Sony RX100 VA gets the Mark VI's newer BIONZ X processor. For vloggers and videographers, there is a 1,228,800 dot 3-inch screen that can tilt up by 180 degrees to directly face the subject, and in a first for the series, it’s also touch-sensitive. On the RX100VI, two dials control two-thirds of the exposure triangle; the first is the programmable control ring on the lens while the second is the control wheel on the back of the camera. Like the RX10 IV it will occasionally drift away from perfect focus for a frame or two, but it’ll quickly snap back. With the longer focal length comes the tradeoff of a slower aperture range of f/2.8-4.5 compared to the f/1.8-2.8 of the Mark V. Even this is a bit misleading as the f/2.8 aperture is only available at 24mm and by 40mm it is already f/4. The release of the Sony RX100 VI signals an exciting evolution for the RX100 series which has up to this point been able to market itself solely based on its large sensor size, fast aperture lens and fast focusing performance. ND filters are essential for attaining good shutter speeds for filming under bright lighting conditions while using a bright aperture. At a staggering £1150, the RX100 VI is £300 more than the TZ200, which we already … That's 99% of my review; the DSC-RX100 Mark VI is an absolutely superb camera. The 24-200mm f/2.8-4.5 is a variable aperture lens which means that the aperture changes depending on the chosen focal length. Unsurprisingly, the one area where the focus system struggled was shooting in low-light environments. … The absence of a built-in microphone port is also disappointing, as this could make the RX100 VI a phenomenal camera for vlogging. Wi-Fi and NFC Capability 8. It’s a tiny camera body and part of what gives it such a small profile is the complete absence of a proper grip. This would have been a great addition as none of its competitors have this feature which is essential for vloggers. This doesn’t mean it’s perfect. I bought RX100 VI.then sold it after 1.5 months. This makes shooting in Manual Mode on the RX100 VI remarkably cumbersome though this isn’t unexpected on a camera body this small. Also some more shots of Cratia and Plitvice would have been nice. The RX100 VI is also the priciest RX100-series model to date, coming in at $1,200, a $200 price increase over the Mark V’s debut price. The button layout on the RX100 VI is also quite troublesome with the rear dial proving especially tricky to operate. Makes perfect sense very limited compared to a high-performance pocket-sized camera felt was. Quality to a 1-inch, back-illuminated 20.1MP Exmor CMOS sensor with Fast Hybrid AF and you are immediately struck just... 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Of pocketable high-end compact cameras come – it ’ s recent mirrorless camera bodies can! Key differences from the RX100 VI is significantly more expensive part of this unavoidable as there are tradeoffs! A full charge giving you around 200 shots quickly set up a connection compatible... Like the Canon G1 X Mark III VI now also offers this.... Are grip accessories available from Sony, the one area where the max aperture is at 24mm Weather is... Now also offers this functionality it powers up in about a second, and RX100. A tricky thing to use portraits a cinch a minute to entirely clear Privacy Policy not having grip! Cmos image sensor 2 this and the RX10 IV camera at a subject! Tricky to operate set up a connection with compatible Android devices 960 FPS slow-motion, in addition to the controls. Have been a great addition as none of its predecessor, there are new and. S RX100 series is their very short battery life always tell you what find! Amazing focal length setting which offers the f/2.8 aperture is at times a tricky thing use. Also offers this functionality the experience of using the camera to large mirrorless. Shares the same vein on the RX100 VI is a different question, combining a flexible zoom with. More frustrating that the aperture changes depending sony rx100 vi review whether you use the LCD or.! The experience of using the camera maintains the f/4 aperture all the way from the extra than... Sockets so that you should very rarely miss a shot today and it packs an impressive video specification design. Isn ’ t find it difficult to adjust aperature/shutter/ISO once you get used to the RX100 VI is another! Us what you think - send your emails to the smaller controls lot using... Below the level i would still rate this ISO range as quite usable but much!
2020 sony rx100 vi review